Led by Jelle Bosma of Agfa Monotype and Ross Mills of Tiro Typeworks, the project was planned when development of Cambria had started, but Cambria Math was developed in three stages. Cambria Math was the first font to implement the OpenType math extension, itself inspired by TeX. This is a variant designed for mathematical and scientific texts, as a replacement for Times New Roman. Lining figures are the default, and are shown on the sample image. In this sense, Cambria is like a small size font, except that it may also be used at large sizes."Īs with the other ClearType fonts, both lining figures and text figures are offered. In those days sizes had their own drawing, so that small sizes are wider and have a lower contrast compared to large fonts in the same design: optical correction. Bosma compared it to optical sizes of fonts designed to be printed small: "The design is a bit like an old metal type font. Designers have recommended avoiding using it in printed text because of this: designer Matthew Butterick described it as too monotonous to be attractive on paper. Many aspects of the design are somewhat blocky to render well on screen, and full stops are square rather than round. A profile of Bosma for the Monotype website commented: "One of the defining features of the typeface is its contrast between heavy vertical serifs and hairlines-which keep the font sturdy, and ensures the design is preserved at small sizes-and its relatively thin horizontals, which ensure the typeface remains crisp when used at larger sizes." Bosma describes it as a "transitional slab-serif hybrid." It is somewhat more condensed than average for a font of its kind. This principle is most noticeable in the italics where the lowercase characters are subdued in style. The other fonts in the same group are Calibri, Candara, Consolas, Constantia and Corbel.ĭiagonal and vertical hairlines and serifs are relatively strong, while horizontal serifs are small and intend to emphasize stroke endings rather than stand out themselves. All start with the letter C to reflect that they were designed to work well with Microsoft's ClearType text rendering system, a text rendering engine designed to make text clearer to read on LCD monitors. It is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows Vista. It is intended as a serif font that is suitable for body text, that is very readable printed small or displayed on a low-resolution screen and has even spacing and proportions. It was designed by Dutch typeface designer Jelle Bosma in 2004, with input from Steve Matteson and Robin Nicholas. Jelle Bosma, Steve Matteson and Robin NicholasĬambria Math: Jelle Bosma, Ross Mills, John Hudson, Geraldine Wade, Mike Duggan, Greg Hitchcock, Andrei Burago, Vivek GargĬambria is a transitional serif typeface commissioned by Microsoft and distributed with Windows and Office.
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